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International School of Nanshan Shenzhen students embrace learning in a world of virtual reality

To give students the skills needed to thrive in an ever more tech-centred world, the International School of Nanshan Shenzhen (ISNS) is one of the world’s first educational facilities now making instruction in virtual reality (VR) and related tools a key part of the curriculum.

Building on a successful pilot programme last summer in Virtual Reality, 3D art and animation, the intention is to let students in various age groups experiment with the latest emerging technologies, while at the same time unleashing their creativity, curiosity and passion for learning.  

To this end, the school has set up a special VR innovation lab, conceived as a space for exploration, design and interdisciplinary collaboration involving a number of different subject teachers. 

Using relevant software and materials, students learn to create high-quality digital content and to design “experiences” for VR platforms. In this “VR Lab makerspace” - a place offering the necessary tools, resources and support - they get to apply concepts and theories learned in the classroom, develop practical skills, document their progress, and share what they have learned with classmates and other members of the tech education community. 

“VR is a completely new space and we are one of the first schools to integrate it in the classroom. This space has yet to be defined in education. The students and I explore the VR tech and co-create the curriculum through student driven learning. The students learn to use new emerging technology to translate into creative development. They come up with interactive ideas and have ownership; I’m there to give guidance and mentorship,” says Paola Paulino, Director of VR Immersive Technology Education for the recently established innovation learning department at ISNS. “Students don’t just watch me lecture at the front of class or follow a set of instructions to produce computer graphic work to get a grade. I designed a looser learning space to allow the students to explore, discover, and connect various aspects of creative thinking for VR that we have yet to see. I want them to be fully engaged and take pride in their pioneering work.”
In the VR + Makerspace, students can use high- or low-level technology to create anything from an LED light show to a video game. They become familiar with world building and design software like Autodesk MayaUnity 3D Game Engine, Photoshop and various Adobe and vector graphic programs, learning to draw and scope in VR and 3D space. And, essentially, they have the opportunity to tinker and explore with video editing, image manipulation, coding and 360 degree live-stream broadcasting, and visual techniques.    

“That is where all the learning happens; VR technology is very experiential,” says Paulino, who hails from Orlando, Florida, and who has worked in the gaming and emerging tech industry, as well as developing 3D content and character animation, overseeing concept videos, and doing particle FX animation for wearable hologram incubation projects for Hololens. “We encourage students to try out and evaluate various VR apps and different types of interactive digital experiences - that is the best way to grasp it.” 

In due course, this leads to creating original 3D content from scratch, not just using film or images from elsewhere, devising “entire worlds” and sophisticated prototypes from concept to completion. 

For example, one Grade 10 student is already working on a personal project using VR to raise environmental awareness. The aim is to “teleport” users to experience a 3D world where things are as they could be for us   if we adopted the right outlook and actions. 

Another ongoing project sees members of Grade 12 creating a suitable background video for a fashion show, which will feature superhero outfits designed by the Grade K5 class. The collaboration requires directing, acting and filming talents, besides the technical know-how and special effects needed to illustrate the special powers that come with each costume.     

“In general, students take to the technology very quickly,” Paulino says. “I usually go over the software, focusing on a few tools for the day and how it is used, and then set a small challenge so they learn by exploring. That encourages students to be resourceful, search online for different forums and websites and, along the way, makes them more independent and resilient.” 

As a next logical step, she is also looking to develop contacts with a number of the commercial makerspaces which have sprung up in Shenzhen. The hope is that students will then be able to meet engineers working on cutting-edge innovations and understand the latest developments in software, manufacturing, and areas such as laser cutting, and 3D printing, and rapid prototyping.  

Another objective is to help fellow teachers take VR and related technology into their own classrooms for specific projects or assignments and “enhance student learning”. 

“l’m excited to be in this city,” says Paulino, who is in her second year in Shenzhen. “The makerspace, design, and tech communities are so encouraging and so open to experimentation and learning. I’m very passionate about developing education experiences for immersive technology, and I have the tools and support from the school to do just that. Building this department and putting emerging technology in the hands of teachers and students is something very fresh and new. But we plan to make it a structured part of the curriculum, giving practical skills for the real world, and creating opportunities for collaboration with companies outside the campus.” 


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